Do you know which songs has been this summer’s big hits?
Here is Spotify’s top 5, for the last 3 months :
- Drake (feat. Wiz Kid, Kyla) – One Dance
- Sia – Cheap Thrills
- Desiigner – Panda
- David Guetta (feat Zara Larsson) – This one’s for you
- Justin Timberlake – Can’t stop the feeling
But, when we take a closer look at the most listened musics in 2016 in France, women are still less represented compared to men: the award of the most listened music goes to Drake, a male singer, when Sia is the only female among 4 other male Djs or singers: this is not much women, right?
Is this a general fact in the music industry? It actually depends on the musical genre you are listening to.
R&B has no trouble with parity, since artists like Rihanna, Beyonce or Alicia Keys have been ruling the international scene for at least ten years.
But on the other hand, the website http://mybandnews.com/ highlights the fact that less than a quarter of the top 100 of the best pop/rock albums of the last decade, according to the New Musical Express, had at least one female member (singer or instrumentalist). And this is because pop/rock has actually a very masculine history due to the values it conveys. It tends to push women back of the stage, or, in the best case, it allows them to be the singer of the band.
This is why we have the impression that women and men are in the same proportion in the music industry: since women are singers most of the time, they are on the front stage, meanwhile actually, very few of them are bass players, guitar players or even composers. And what is problematic with pop/rock music, is also an issue with rap, reggae or electronic music.
The website http://www.pinceoreilles.fr/news/ stresses the fact that the problem is structural. Statistics shows clearly the gender gap in the music industry :
- 8% of the instrumentalists are women
- 10% of the studio musicians are women
- 15% of the composers are women.
Because « it remains a path full of pitfalls », to Alix Ewandé, a professional bass player: men still control the stereotypes, and they decide which one is obsolete or normal. « You’re a female bass player? Sexy! » is what she can hear, and it doesn’t help with her professional career.
Indeed, as anywhere else, technical and decisional posts are kept for men, which is a struggle when you’re a woman that dares belonging to the 8% of the musician population.